When I first started learning photography in high school, I was mostly self taught, and I shot everything on B&W film. It was the cheapest, and a buddy had a dark room in his basement. We learned to develop and print our own work. Most of us older folks that learned this way still have a strong affinity for B&W prints. I on the other had much preferred color photography. I simply could not afford the film and cost of sending everything to the lab. My reasoning was I see in color, and I always felt it was more realistic in my mind. When I got back into photography and started studying some of the master photographer's works in some of my college classes, I started re-thinking my opinion of B&W photography. Now I really look at everything I photograph and consider how it might look as a B&W print. The great thing about the digital dark room is the luxury of shooting everything in color, and making the conversion in a photo editing program. They have become so sophisticated that it is a snap to get a nice B&W conversion. Now I have many of my photos as both a color, and a B&W file. Since you know how much I love old barns, many of them get converted. The photo above is actually what is called a Double-sided Corn Crib. Each side held picked corn on the ear to dry in the slatted bins. A hay loft is above the corn cribs.
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This old barn was photographed in Cades Cove, Smokey Mountain National Park. I was not happy with the color version due to a lot of filtered sunlight hitting the barn. When I converted it to B&W, I though it made a much better shot and the filtered sunlight did not seem to be distracting. I have a much greater love and appreication for B&W photography now that I can have my cake and it it too.
Take Care,
Scott
Awesome! Makes one ready to get a wideangle lens and try a some B&W.
ReplyDeleteSo now the question is, which wideangle to start with? A zoom, a fixed, 10, 18, 35 or something else? The 10 on the bridge is incredible and beautiful!
Great job. Thanks, Dave.
I was useing a 10-22mm zoom here. Fixed is always better, but who can afford a bag full of fixed prime lenses for every situation? :-(
ReplyDeleteWith the crop factor on most digital cameras, you need ultra wide to create this effect. The newest zooms are really much better now and keep good detail throughout their range.